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Shigaraki Ware Mug Kohiki with Vidro Glaze

Sale price$54.00

Crafted at Hinomigama in the storied kiln town of Shigaraki, this mug brings together two distinct glazing traditions in a single, quietly compelling form. Kohiki, a technique originating in Korean ceramic culture and later adopted by Japanese potters, involves applying white slip over a clay body, creating a surface that appears at once veiled and luminous. Here, that foundational layer is animated by vidro glaze, a wood ash-derived glass glaze that introduces soft tones of sage and celadon, trailing in uneven vertical paths along the ribbed exterior. The coarse Shigaraki clay asserts itself beneath, its iron-rich warmth surfacing through the glaze where the firing has drawn the two into dialogue. Flared gently at the rim and grounded at the base, the form carries a composure that reflects Shigaraki's 1,200 year ceramic heritage with precision and restraint.

A Shigaraki ware mug by Hinomigama with vertical ribbed grooves, a kohiki white slip base and vidro ash glaze in soft sage and celadon tones over a warm iron rich clay body, set against a white background.
Shigaraki Ware Mug Kohiki with Vidro Glaze Sale price$54.00

Meet the Artisan

Hinomigama

Hinomigama was established in September 1988 in Shigarakicho-Eda, Koka City, Shiga Prefecture, situated within the living heart of one of Japan's oldest and most storied pottery regions. Founded by Fujito Matsuo, the kiln takes its name from the Japanese words for flame and taste, a quiet declaration of the philosophy that guides every piece made here: that fire is not merely a process, but a presence that leaves its mark on the clay and, by extension, on the life of those who use it.

Working within the Shigaraki tradition, Hinomigama produces tableware shaped and fired entirely by hand. Each piece is formed from the region's characteristically coarse, feldspar-rich clay and wood-fired in the Shigaraki manner, meaning natural ash glazes, hi-iro blush, and subtle flame markings emerge through the kiln's own atmosphere rather than through applied decoration. The result is vessels that carry the unmistakable depth and irregularity that Shigaraki has been celebrated for across centuries.

Hinomigama's work is grounded in a considered conviction: that the finest tableware is not reserved for ceremony, but belongs on the everyday table, enriching the quiet rituals of sharing a meal with the same integrity of craft that has defined this region for over a millennium.